




While reading an article about Maya MIA Arulpragasam, the underground music star, I came across this beautiful wind instrument. Very unique, at least, this is new to me. Enjoy!
The didgeridoo (or didjeridu) is a wind instrument of the Indigenous Australians of northern Australia. It is sometimes described as a natural wooden trumpet or "drone pipe". Musicologists classify it as an aerophone.
A didgeridoo is usually cylindrical or conical in shape and can measure anywhere from 1 to 2 meters in length with most instruments measuring around 1.2 meters. Generally, the longer the instrument, the lower the pitch or key of the instrument. Keys from D to F♯ are the preferred pitch of traditional Aboriginal players.
There are no reliable sources stating the didgeridoo's exact age, though it is commonly claimed to be the world's oldest wind instrument. Archaeological studies of rock art in Northern Australia suggests that the Aboriginal people of the Kakadu region of the Northern Territory have been using the didgeridoo for about 1500 years, based on the dating of paintings on cave walls and shelters from this period. A clear rock painting in Ginga Wardelirrhmeng from the freshwater period (1500 years ago until the present) shows a didjeridu player and two songmen (source: Journey in Time, George Chaloupka, p. 189).



I swallowed
some of the Beloved's sweet intoxicant,
and now I am ill.
My body aches,
my fever is high.
They called in the Doctor and he said,
drink this tea!
OK, time to drink this tea.
Take these pills!
OK, time to take these pills.
The Doctor said,
get rid of the sweet intoxicant of his lips!
OK, time to get rid of the doctor.
It is your turn now,
you waited, you were patient.
The time has come,
for us to polish you.
We will transform your inner pearl
into a house of fire.
You're a gold mine.
Did you know that,
hidden in the dirt of the earth?
It is your turn now,
to be placed in fire.
Let us cremate your impurities.
When we talk about the witness in our verse,
we talk about you.
A pure heart and a noble demeanor
cannot compete with your radiant face.
They will ask you
what you have produced.
Say to them,
except for Love,
what else can a Lover produce?
By day I praised you
and never knew it.
By night I stayed with you
and never knew it.
I always thought that
I was me--but no,
I was you
and never knew it.
This is a gathering of Lovers.
In this gathering
there is no high, no low,
no smart, no ignorant,
no special assembly,
no grand discourse,
no proper schooling required.
There is no master,
no disciple.
This gathering is more like an intoxicated party,
full of tricksters, fools,
mad men and mad women.
This is a gathering of Lovers.
I wish I could give you a taste of
the burning fire of Love.
There is a fire
blazing inside of me.
If I cry about it, or if I don't,
the fire is at work,
night and day.
People make clothing to cover their intellect,
but the heart of Lovers
is a shroud,
inflamed in golden hues of His Love.
For more...http://www.intentblog.com/archives/2007/01/maulana_rumi_ti.html
Courtesy...www.intentblog.com
Am under the Illusion that...
Recently, Obama gave a Speech on Terrorism as part of his ongoing campaign which seems significantly different from Hillary's approach. Well, that's not the point.There are terrorists holed up in those mountains who murdered 3,000 Americans. They are plotting to strike again. It was a terrible mistake to fail to act when we had a chance to take out an al Qaeda leadership meeting in 2005. If we have actionable intelligence about high-value terrorist targets and President Musharraf won't act, we will.Though Obama differs substantially from Bush's policies, the above statement clearly indicates an inexperience and foolhardiness in dealing with foreign policies. The following is my response to the blog entry. Read this Ultrabrown blog entry before you read the following response.


How to produce more activism:
a) spend more time doing activism
b) be more efficient
c) recruit more People to be activists
Activism is the normal state of human affairs and although some people view activism as deviant social behavior they appreciate the results of it. Bob suggested that we attempt to break this view and recruit more activists. He said the best way to do this is start out on a personal level.
He used the example of trying to figure out how to help a blind person cross the street saying most people would not stand by and not help the blind person. And he uses this as an analogy that one doesn't pass by unthinkingly not trying to find a simple solution to solve problems.
Bob: Why do people push to get one the bus? When people see a bus half empty they are polite and let others ahead of them but when they see a bus is jammed... people push to get on the bus. A normal person would just say that people are rude and complain about it. But an activist would say: "We need more buses" (seeking an alternative)
Bob stated that "Language (words) are a major barrier for activism in the U.S."
Bob then returned to questions on public/private ownership?
When does something controlled by the government belong to the public?
He asked that we reformulate and think of examples... examples given park, sidewalk, library, hospital, etc.
Patrick, another concerned citizen of the world, pointed out the difference between belong and control. Is it a public park if it has bum proof benches and riot police?
Bob asked us once again to reformulate the problem, where we lower our standards to where something useful is taken away or privatized and asks would that make us upset.
Focus our attention that we should be concerned about socialism/capitalism and pointed out that there are some things controlled by government that belong to the public that we believe are ours and would fight for them if taken away.
Bob : Activism is a 'good' and more activism is needed.
Cassandra (another concerned citizen): There is the march against war, there are certain amounts of activists and what amount of activists is needed for the activism to be effective?
Questions you can ask yourself or others...
Activism is a good produced by Activists, are we producing enough?
How can we produce more?
Activism is the normal state of human affairs
How do we contribute?
Courtesy Wiki.The Sultan's Elephant is a show created by the Royal de Luxe theatre company, involving a huge moving mechanical elephant and other associated public art installations. In French it is called La visite du sultan des Indes sur son éléphant à voyager dans le temps (literally, "Visit From The Sultan Of The Indies On His Time-Traveling Elephant").
The elephant is made mostly of wood, and is operated by over ten puppeteers using a mixture of hydraulics and motors. It weighs 42 tons, as much as 7 African elephants. A replica of the elephant was built in Nantes (France) in 2007, as part of the Machines of the Isle of Nantes permanent exhibition.
Children of today's world are burdened with heavy syllabus and they have no concept-based learning. What they learn in school for 17 years and college for 4 years has no connection with what they experience in the real world of work. Moreover, they are always made to understand that education has to be related to the amount of money they earn in the current world. The result is that children lose their interest to go to school and the actual learning process and mostly are exam driven and they have to force themselves to go to school simply because they have to survive the current system. Many children drop out of schools and some of them are so stressed out that they cannot handle any issue without being scared. Education on the other hand has to be fun for the children and not intimidate them and push them to the edge.
...and I got an answer from Limbonia asking me to read books written by John Taylor Gatto...
Courtesy: http://weareeverywhere.org/
We Are Everywhere is a book of stories, stories written by activists from the front lines of resistance against capitalism and economic globalization, tales of struggle and rebellion from participants in a movement of movments that is gaining ground on every continent. These stories, told with both words and pictures, have been collected over the past three years by a collective of activists, writers and artists, all of whom have deep connections to the movement.
The book explores and celebrates what activist, academic, and media commentators have recently come to refer to as the "anticapitalist" movement. One of the great strengths of this movement has been its capacity to re-kindle the idea of a global political project, a project defined by notions of autonomy, ecology, democracy, self-organization and direct action, notions which are explored in We Are Everywhere.
For further details of the pdf format of the book, go to WE ARE EVERYWHERE.

Humans who belong to this planet called earth…here I am…hurt but inspired, helpless but motivated and I could go on and on…but let me stop here and share with you the real reason of my writing this…
I had the opportunity of meeting with another human called Patch Adams whose love came straight through from his heart to people around him…what more can I say? He asked us a disturbing question; “have you ever held a starving dying child in your arms?”
And I could not help the tears that followed…
He showed a few pictures which were taken in one part of this very planet we all live…photographs of people and children who were dying in starvation. Not one or two…we saw many lives being wasted away without even having a chance to know what living and loving is all about…we saw mothers holding starving children close to their bosom, feeling helpless because they could not help but watch them die, we saw humans bury their young and old ones side by side who died of starvation, we saw humans waiting for others to die so that they did not have to share their few morsels with them, we saw a vulture sitting close to a child dying of starvation – waiting for the child to die and prey on it even before the soul could leave the body, we saw children drink from the wastes, we saw humans who were dehumanized by war, struggling for a few more breaths in this merciless world, we saw endless poverty which screamed into every grain of the sands and every atom of air that surrounded it…we saw the never-ending abyss of hopelessness in their eyes…we saw that thinking was drowned somewhere in all that misery and had become extinct for years in their souls, what we did not see in those pictures directly but realized was that – reason on the whole was being drowned in poverty, money, selfishness, war, greed, blood and many more entities of the so-called human world…
We saw how countless human beings were born in some parts of the world just to die without even knowing what living was all about…and to think that we talk about intellect, arts, technology, war, politics, government, humanity, peace etc while remaining oblivious to what is happening around us. What kind of a world are we a part of where we totally ignore such realities and still shamelessly say ‘IGNORANCE IS BLISS’??
My tears flow while I type all this…why was I made to see all this? To just feel bad for a few hours, forget and then move on??
NO, NO, NO!!!
These will remain in my mind, heart, body and soul as long as I live and I will see to it that I will share this with as many humans as I can and inspire them to do something about this inequality…
I cannot stop questioning myself again and again about all that is going on? If ignoring such realities and living without an iota of feeling responsible to do something for the world is all called living in this world, I feel sad to be a part of it…but wait!!!
What then is our duty in this design? What is the purpose of our existence in this world?
What can we do to make this world a better place?
How can we expect a soul to love or think when even the basic needs are not met??
Of course we can make a difference…TOGETHER!
HUMANS OF THE PLANET, UNITE!!!
Picture courtesy: www.nutrisci.wisc.edu/

Asia Pacific Forum(NYC) features segment on "Men of Burden - Pedaling
Towards a Horizon" a documentary film on cycle rickshaws in India, on their
weekly Radio Show on Tuesday, June 19th 2007, broadcast between 8-9 p.m.
The segment will be the second in the show at around 8:15 p.m.
The segment will be part of a newly launched series on the environment and
developing economies- this segment focuses on the struggles of an India
where middle/upper class desires for technology and cars and where cycle
rickshaws represent an environmental blessing- and livelihood for
thousands of cycle rickshaw workers- though also respecting the
hardship/manual labor of rickshaw drivers.
ABOUT THE ASIA PACIFIC FORUM
Asia Pacific Forum is the progressive pan-Asian radio show broadcast every
Tuesday night from 8-9pm on WBAI 99.5 FM in New York City and live on the
web.
We particularly like to profile stories and perspectives which are
under-represented in mainstream media- and which we believe deserve
attention and dialogue.
For excerpts of past shows, please check out our website: Asia Pacific Forum
(http://www.asiapacificforum.org)
We cover underreported stories from Asia, as well as Asian American
politics and culture. Our guests have included Arundhati Roy, Gary Locke,
Jessica Hagedorn, Tariq Ali, Yuri Kochiyama, David Henry Hwang,
Monique Truong, Edward Said, Maxine Hong Kingston, Vijay Prashad,
Cathi Tactaquin, Zia Mian, Grace Lee Boggs, Vivek Bald, Phil Tajitsu
Nash, Bharavi Desai, Lois-Ann Yamanaka, Monami Maulik, Margaret
Fung, Robin D.G. Kelley, Shashi Tharoor, Joo-Hyun Kang, Mike Honda,
Vandana Shiva, John Liu, Stacey Ann Chin, Jeff Chang, DJ Rekha,
and Asian Dub Foundation.
Asia Pacific Forum airs on WBAI 99.5 FM in New York City. WBAI is part of
the Pacifica Foundation, a national radio network founded in 1946 with
additional affiliates in Houston, Los Angeles, Berkeley, and Washington,
D.C. Pacifica is a non-commercial, listener-sponsored network founded on a
strong community role in each individual station.
SYNOPSIS OF THE FILM
Set in the city of Pondicherry, a Union Territory in South East India, the
documentary uncovers the story of disappearing cycle rickshaw drivers
living in abject poverty. Over time, the city has experienced a gradual
but alarming reduction in the number of cycle rickshaws thereby
diminishing the chances of living of those who depend on them. What used
to be one of the primary modes of transport in the city is now a fading
memory with the few remaining ones staging a difficult survival. The film
explores some of the ethical dimensions of man pulling man against the
background of increasingly menacing effects of motorized transport and
pollution. It also takes you through the rickshaw men’s journey of hope on
the roads that have fostered them.
Representing one facet of India’s population below poverty line, these
unflagging men perpetually struggle to eat one satisfying meal a day. But
what is remarkable is the essence of some who believe in making a
difference in an apparently hopeless livelihood. While India's big cities
are racing towards globalization and technology, these men, against all
odds, remain appreciative of their modest lives by believing in the power
of now.
Portraying the immediacy and desolation of the situation the film
highlights a catalytic change revolutionizing India’s economic and social
future from the grass roots level. Juxtaposing the way of life of these
men with definitive solutions, the film answers the question of how these
changes can trickle down to the roots of India’s soil.
--
http://www.AccessibleHorizonFilms.com
http://acchor.blogspot.com/
Original Source: Unknown but I got this on Desh's Blog, Drishtikone.
Édith Piaf (December 19, 1915–October 11, 1963) was one of France's most loved singers, who became a national icon. Her music reflected her tragic life, with her specialty being the poignant ballad performed in a heartbreaking voice. Among her most famous songs are "La vie en rose" (1946), "Hymne à l'amour" (1949), "Milord" (1959), "Non, je ne regrette rien" (1960).For more about her life, check out Edith Piaf.